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J.J. Abrams confirms Star Trek's iconic alien enemies are back. Plus Dawn of the Planet of the Apes finds its star!

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J.J. Abrams confirms Star Trek's iconic alien enemies are back. Plus Dawn of the Planet of the Apes finds its star!The Rise of the Planet of the Apes sequel is going in a whole new primate-fighting direction. Guillermo del Toro reveals the setup for his latest horror movie Crimson Peak. How does Carol Marcus fit into Star Trek Into Darkness? There are some brand new clips from Jack the Giant Slayer.

All that, plus X-Men: Days of Future Past director Bryan Singer reveals two very familiar chairs, Naomie Harris discusses her James Bond future, a Supernatural writer reveals what's ahead, and Todd MacFarlane claims an Oscar-winning actor is desperate to play Spawn!

Spoilers from here on out!

Top image from Rise of the Planet of the Apes.

Star Trek Into Darkness

Director J.J. Abrams confirms the Klingons will indeed make an appearance in the sequel after getting cut out of his first Star Trek:

"We shot some stuff that had Klingons in it and then we ended up cutting the scene so it's a deleted scene on the DVD but they are back in this one. Their role in this is definitely adversarial and you'll see how that plays out. But you don't have to know about any preexisting stories to watch this film."

Abrams also discusses what role Alice Eve will play as Dr. Carol Marcus, a character that previously appeared as the mother of Captain Kirk's lovechild in The Wrath of Khan:

"Wouldn't [Chris Pine] like that [having Alice Eve as a love interest]. [Kirk] meets [Carol] fairly early on and again — she plays a science officer, she's someone who is part of the adventure, and it's an action-adventure movie so once that gets going it's a difficult thing to park the story and say 'lets do a romantic interlude.' But her role is important, she wouldn't be in the movie otherwise."

[MTV via Comic Book Movie]


X-Men: Days of Future Past

Director Bryan Singer's latest tweet features the return of a familiar wheelchair — actually, make that two familiar wheelchairs, given the time-traveling, continuity-combining nature of the film.


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